VITO ACCONCI
BLOWN-UP BABY-DOLL
BLOWN-UP BABY DOLL, 1993 (6 Triangle Version)

A four color screenprint on 2 ft. equalateral triangles of Sintra and mirrored plexiglas. Available in two editions; 6 triangles to create a 4 ft. hexagon or variables (edition of 20, pictured above) and 24 triangles to create an 8 ft. hexagon or variables (edition of 10, pictured below).


BLOWN-UP BABY DOLL, 1993 (24 Triangle Version)
SOME NOTES ON BLOWN-UP BABY-DOLL
VITO ACCONCI, 5/20/94
A face is blown up -- expanded, exploded -- to become architecture.
More precisely: the image -- the flat image, the photographic image -- of a face is blown up to become a wall. The baby grows up to become bigger -- more than we ever accounted for.
The 'normal' is analyzed, separated into parts; the parts are replicated, revolved, and enlarged; the 'normal' is repeated/reversed/de-placed, so that it becomes a 'monster.' or: the 'powerless' is repeated/reversed/de-placed, so that it becomes 'powerful'...the 'human' is repeated/reversed/de-placed. So that it becomes a 'thing'/ a 'fact'/ a 'god'... Or maybe it's simply that: the image of a human face is repeated/reversed/de-placed so that it becomes 'atmosphere' -- it becomes wall-pattern, a wall-hanging, like a rug for the wall.


BLOWN-UP BABY DOLL, 1993 (24 Triangle Version), Installation variations






Name Calling Chair
Name Calling Chair, 1990
Cherry, ebony, and birch veneer plywood.
Edition of 10
48 x 38 x 48 inches

Notes on a Name Calling Chair, Vito Acconci

Architecture or furniture, while it is being used (by a person in the role of participant), is also being read (by a person in the role of observer): having a function, on the one hand, furniture/architecture exists as a sign, on the other.
A chair announces itself as a chair; otherwise, we wouldn’t know we could use it (we’d be left to our own devices, we’d have to re-invent something as a chair). It’s as if furniture has attached itself, a billboard, a sign, a set of directions, a code-system.
A person fits himself/herself into a chair, that person is fit into a role; Name Calling Chair ‘speaks,’ inscribes that role.
Name Calling Chair gets down to the basics, basic A-B-C’s. (But maybe you don’t know your basic A-B-C-‘s; you’re an ass-hole; so we’ll start with ‘A’ and go on from there and call a spade a spade.)
Name Calling Chair is a kind of alphabet of building. Name Calling Chair equates basic building with basic language with basic insults.
What you see is what you get; what you read is what gets you.




Vito Acconci Vito Acconci Editions John Cage RM Fischer RM Fischer Edition
Buckminster Fuller Nancy Graves Richard Hamilton Donald Lipski Matt Mullican
Peter Nagy Claes Oldenburg Joel Otterson Nam June Paik Nam June Paik Editions
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Julia Wachtel Emmett Williams
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