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A four color screenprint on 2 ft. equalateral triangles of Sintra and mirrored plexiglas. Available in two editions; 6 triangles to create a 4 ft. hexagon or variables (edition of 20, pictured above) and 24 triangles to create an 8 ft. hexagon or variables (edition of 10, pictured below). |
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VITO ACCONCI, 5/20/94 A face is blown up -- expanded, exploded -- to become architecture. More precisely: the image -- the flat image, the photographic image -- of a face is blown up to become a wall. The baby grows up to become bigger -- more than we ever accounted for. The 'normal' is analyzed, separated into parts; the parts are replicated, revolved, and enlarged; the 'normal' is repeated/reversed/de-placed, so that it becomes a 'monster.' or: the 'powerless' is repeated/reversed/de-placed, so that it becomes 'powerful'...the 'human' is repeated/reversed/de-placed. So that it becomes a 'thing'/ a 'fact'/ a 'god'... Or maybe it's simply that: the image of a human face is repeated/reversed/de-placed so that it becomes 'atmosphere' -- it becomes wall-pattern, a wall-hanging, like a rug for the wall. |
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Cherry, ebony, and birch veneer plywood. Edition of 10 48 x 38 x 48 inches Notes on a Name Calling Chair, Vito Acconci Architecture or furniture, while it is being used (by a person in the role of participant), is also being read (by a person in the role of observer): having a function, on the one hand, furniture/architecture exists as a sign, on the other. A chair announces itself as a chair; otherwise, we wouldnt know we could use it (wed be left to our own devices, wed have to re-invent something as a chair). Its as if furniture has attached itself, a billboard, a sign, a set of directions, a code-system. A person fits himself/herself into a chair, that person is fit into a role; Name Calling Chair speaks, inscribes that role. Name Calling Chair gets down to the basics, basic A-B-Cs. (But maybe you dont know your basic A-B-C-s; youre an ass-hole; so well start with A and go on from there and call a spade a spade.) Name Calling Chair is a kind of alphabet of building. Name Calling Chair equates basic building with basic language with basic insults. What you see is what you get; what you read is what gets you. |
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| Vito Acconci | Vito Acconci Editions | John Cage | RM Fischer | RM Fischer Edition | |||||||||||||||||||||||||||||||||||||||||
| Buckminster Fuller | Nancy Graves | Richard Hamilton | Donald Lipski | Matt Mullican | |||||||||||||||||||||||||||||||||||||||||
| Peter Nagy | Claes Oldenburg | Joel Otterson | Nam June Paik | Nam June Paik Editions | |||||||||||||||||||||||||||||||||||||||||
| Fabrizio Plessi | Alan Rath | Peter Sarkisian | Daniel Spoerri | Jessica Stockholder | |||||||||||||||||||||||||||||||||||||||||
| Julia Wachtel | Emmett Williams | ||||||||||||||||||||||||||||||||||||||||||||
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Carl Solway Gallery 424 Findlay St.. Cincinnati, Ohio 45214 USA phone 513 621 0069 fax 513 621 6310 |
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